Roland barthes essay on photography
Roland barthes essays on love Jericho buendia in shagshaft says
It could be argued that the basic thrust of the collected writings of Roland Barthes revolves around the constant illumination of gesture. Moreover, in my view, although Barthes is perhaps best known as a semiotician, as something of a philosopher of language and, more specifically, of signs, he is paradoxically always in search of precisely thatwhich defies the constraints of language, -whether art, signs or, in fact, language itself. As Martin Grisel suggests: "Barthes is, paradoxically, a writer who, in a very rational manner, writes 'against' meaning." Barthes does utilize the concept of the signifier and other like concepts, but he was never quite satisfied with apprehending things this way: "Let us distinguish the , which seeks to produce information, and the , which seeks to produce an intellection, from the , which produces all the rest. . . without necessarily seeking to produce anything." In other words, we can only elucidate the markings or absences of gesture, like the way in which one might track a scent -- and this metaphor is not arbitrary, for Barthes' engagement with language is, as we shall see, resolutely bodily -- and yet, gesture is nevertheless pervasive.
’, in Diana Knight (ed.), Critical Essays on Roland Barthes (G
The Bartleby Project—the name of which comes from Melville’s classic short story Bartleby, the Scrivener—began as a personal research experiment at Columbia University in which van Leeuwen sought to combine his information systems knowledge with his love of books to create accessible, searchable electronic versions of classic literature and reference works....