in This is the Story of a Happy Marriage.
How To Maintain A Happy Marriage.
Why had I lied? The triteness of the setup — a conference, a hotel — made me reflexively defensive; I was sparing my husband what would have been a wholly needless pang of jealousy or discomfort. And I was instinctively acting out a familiar, but also ridiculous, paradigm of marriage, one in which we collude in the fiction that no one of the opposite sex ever draws our interest.
Choosing the best partner is one of the key to get a happy marriage.
The general outlines to Catholic religion are referenced throughout the bible; nowhere in the bible does it say that same-sex marriage is at all acceptable....
@ A Happy Marriage Essay ★★ My Wife And I Are Not …
"That striking grasp of opposites" is a concisely humorous way tode- scribe the relationship of Moore's model marriageablesher Adam and Eve,her poetry and prosy rhetoric, her ideas of freedom and bondage, her ownfeelings and the things she "quotes." All are striking out at eachother in the poem "Marriage" as well as striking us."Striking" is associable with aggressiveness and attractiveness both,as is the "spiked hand/ that has an affection for one" that occursearlier in the poem. And the "grasp" may be one of affection, orbondage, or abstract understanding. And the "opposites"well, theyare, both abstractly and particularly, "opposed each to the other, not tounity," which is to say they are, and they aren't. They tend most strongly,though, to the protection of abstraction, the first abstract view of"Marriage" as "this institution/ perhaps one should sayenterprise."
Essay about Happy Marriage - 281 Words - StudyMode
Clearly Marianne Moore fancied this sort of "advertisement" with asmuch enthusiasm as she felt for the need to ridicule such things. This doublefeelingcuriosity and fantasy about the richness of a fallen world andsimultaneous disdaincorresponds with her feelings toward marriage itself andtoward her own poem about it. On one level, she regards courtship as no betterthan a "mechanical advertising" of the self. In "Armor'sUndermining Modesty" she quotes an advertisement put out by a publishingfirm which seems ambivalent in its intent to mock. In "The Arctic Ox"she says, in a lighter vein, "If you fear that you are/ reading anadvertisement,/ you are." Neither women nor strong native attitudes of anyson can make true and workable marriages of different stylesthat of freedomand bondage, New York and Paris, evident underpants and modestywith mererhetorical rufflings. Poems, which are also a kind of advertising of the self,cannot do it either. The point is that advertisement, the often deceptiverhetoric of change, is central to affectation as well as to affection, meaningto stir and invent no more than the illusion of affection.