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First day sales of Harry Potter and the Deathly Hallows sold 11 million copies worldwide which definitely reflects the fan base of Harry Potter (Gunelius, 76).

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For instance, Harry Potter and the Deathly Hallows made a profit of 1.33 billion dollars.

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After ten years and now eight blockbuster films, it comes with a great sigh of relief that Harry Potter and the Deathly Hallows Part 2 brings a fitting end to this impressive franchise with a conclusion that will satisfy (albeit to varying degrees) both those devoted to the books and those only versed in J.K. Rowling’s magic lore from the cinema. From a critic’s point of view, the film must be viewed through several perspectives: first, and most obviously, as “the final film” of the ongoing series; second, as the direct sequel to Deathly Hallows Part 1; third, as a standalone entry in the Harry Potter continuation. From each standpoint, Deathly Hallows Part 2 performs on a superior level and delivers an experience that balances crowd-pleasing action with tender emotions. In other words, it contains all we’ve come to expect from the most profitable and among the most beloved franchises in film history.

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After a momentary return to Deathly Hallows Part 1 as a refresher, the film picks up where its immediate predecessor left off. During the first half-hour, Harry (Daniel Radcliffe), Hermione (Emma Watson), and Ron (Rupert Grint) search in Gringotts Bank for the remaining horcruxes to defeat the dark wizard Voldemort (Ralph Fiennes). After that, at its most basic, Deathly Hallows Part 2 is an action movie playing with wizardly weapons. The story involves the forces of good bracing for the impending onslaught by the forces of evil. Once the epic battle begins with the siege of Hogwarts by Voldemort’s army of Death Eaters, the momentum doesn’t slow and the film’s relatively short running time (by Harry Potter movie standards) of two-hours-and-ten-minutes breezes by. It all leads to the inevitable showdown between Harry and Voldemort, which, reader of Rowling’s text or not, you probably know. Regardless, the result proves as stirring and dramatically significant a story as we’ve come to expect from these last few films.

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Rowling attended Carnegie Hall in New York City on October 19th, 2007 to read an excerpt of her seventh book (Harry Potter and the Deathly Hallows), sign some autographs, and answer fan’s burning questions.

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Rowling attended Carnegie Hall in New York City on October 19, 2007 to read an excerpt of her seventh book (Harry Potter and the Deathly Hallows), sign some autographs, and answer fan’s burning questions.

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For this fast-paced, grandiose farewell, screenwriter Steve Kloves, who adapted six of seven books (all except Order of the Phoenix), glosses over some of the finer details from the book. Just as with Deathly Hallows Part 1, some major characters meet their demise off-screen only to be accounted for during the aftermath with the brief appearance of a corpse. Some may feel not enough time was spent exploring the complex backstory of Albus Dumbledore (the excellent Michael Gambon), so crucial to this last tale, or discovering where favorites like Luna Lovegood (Evanna Lynch) or the now-heroic Neville Longbottom (Matthew Lewis) end up. With another half-hour of screentime and a heavier tone, no doubt these characters could have been given their due respect both during and after the battle. But Kloves and director David Yates (helmer of the last four films) also acclimatize Rowling’s material to cinematic demands. A smart, if sometimes wanting choice. Their economic storytelling and speedy tempo may not allow the viewer to soak up the rich side-character detail offered by Rowling’s source material, but the film ultimately arrives at a heartwarming station for our central trio: Harry, Ron, and Hermione.