She is portrayed as a possession for Victor Frankenstein to protect.
Bereft of his companion, Godwin dealt with his affliction in the only way he knew, by intellectual reasoning and reflection. The day after her funeral, he began to sort through 's papers, and by 24 September he had started working on the story of her life. His loving tribute to her, published in January 1798 as the , is a sensitive but full and factual account of the life and writings of his wife, including Wollstonecraft's infatuation with the painter Henry Fuseli; her affair with American speculator and former officer in the American Revolutionary Army, Gilbert Imlay, the father of her illegitimate daughter, Fanny; and her two unsuccessful attempts at taking her own life. Godwin's noble intention was to immortalize his wife, whom he considered to be a "person of eminent merit." Instead of expressing admiration, however, the public condemned Wollstonecraft as licentious, and read her attempted suicides in terms of her lack of religious convictions. When Godwin had declared in the that "There are not many individuals with whose character the public welfare and improvement are more intimately connected" than his subject, he could not have predicted how accurately and with what irony this statement would become true. For at least the next hundred years the feminist cause was to suffer setback after setback because of society's association of sexual promiscuity with those who advocated the rights of women. In the index to the of 1798, for example, "See " is the only entry listed under "Prostitution," and the Wollstonecraft listing ends with a cross-reference to "Prostitution." Such was the complex and ambiguous heritage Mary Shelley received from her mother. She was to grow up with what Anne K. Mellor had described as a "powerful and ever-to-be frustrated need to be mothered," as well as with the realization that the parent she had never known was both celebrated as a pioneer reformer of woman's rights and education, and castigated as an "unsex'd female."
The being is referred to as ‘the creation’ or just Frankenstein.
Frankenstein is the Real Monster in Mary Shelley’s Frankenstein
What is very interesting is how all the stories have different endings which relate to who is to blame. The different endings clearly show that the director or writer of each piece of work had a different view on Mary Shelley's original version. In Mary Shelley's version of Frankenstein, Victor loses the monster; the monster wanders off or runs away, and he has to go on a worldwide search for his creation. This shows that Victor is not responsible enough to watch over something he really cares about. In the play Frankenstein, Victor gets diverted and does not pay close attention to the monster. The monster encounters William and Henry and kills them. When Victor finally realizes that he has made a mistake by giving life to a dead human, he searches for the monster, equipped with a gun. In the forest, Victor sees the monster, and right before he shoots him, says, "I shouldn't have created you in the first place," thinking that he has killed him. The monster comes back after Victor gets married and begs Victor to help him, saying, "You made!
Themes of Frankenstein Essay - 3323 Words - StudyMode
The author of the renowned work, Mary Shelley, included Satanic heroes among numerous other literary devices that fabricate Frankenstein’s exemplarity....