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THE PASSING of Marxism-Leninism first from China and then from the Soviet Union will mean its death as a living ideology of world historical significance. For while there may be some isolated true believers left in places like Managua, Pyongyang, or Cambridge, Massachusetts, the fact that there is not a single large state in which it is a going concern undermines completely its pretensions to being in the vanguard of human history. And the death of this ideology means the growing "Common Marketization" of international relations, and the diminution of the likelihood of large-scale conflict between states.

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Jonas and the other children were taught to be careful about language.

...to to The Puppet Masters to The Blob to Starship Troopers to ...

‘Mine is thy daughter, priest, and shall remain;
And prayers, and tears, and bribes, shall plead in vain;
Till time shall rifle every youthful grace,
And age dismiss her from my cold embrace,
In daily labours of the loom employ’d,
Or doom’d to deck the bed she once enjoy’d
Hence then; to Argos shall the maid retire,
Far from her native soil and weeping sire.’

The list goes on, and on, and on.

Often, its crisp language brings the brutality of Homer’s world into focus, revealing the horror and warlordism that other translations risk airbrushing with ornateness. The epitome of that horror and warlordism is the book’s vilest mortal, King Agamemnon. In the first chapter, when a Trojan priest named Chryses petitions him to return his captive daughter Chryseis, Agamemnon snaps back:

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War of the Worlds by H.G. Wells Essays - 123HelpMe

Inman was 14 years old and living in Bronxville, New York with his family when his older brother introduced him to jazz on the radio. With easy access by subway from his home to a hotbed of jazz in Manhattan, Bob Inman and his high school “swing pals” lived for Saturdays and weekly trips into the city to browse the record shops, hang out at stage doors collecting autographs and cadging free tickets for live radio broadcasts.

The War of the Worlds Essays | GradeSaver

This week on Riverwalk Jazz we time-travel back to 1930s' Manhattan to hear what the Swing Era was like from the perspective of a young fan, thanks to the teenage diaries of Bob Inman, collected in his Swing Era Scrapbook published by Scarecrow Press. Special guest San Francisco actor Darren Bridgett joins us with excerpts from Bob Inman's diaries.

The War of the Worlds essays are academic essays for citation

Some of the most popular radio programs were music shows, broadcast live with studio audiences. There was Let's Dance, Saturday Night Swing Club and The Camel Caravan.

Soon, we see the plague’s full effect:

Even so, it’s a very old story. Since the 1870s, archaeologists have found piling evidence that there was a real Trojan War between Bronze Age Greeks and Hittites. This means that the Iliad had been told and retold for at least five hundred years before a version got written down.

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Until the twentieth century, we didn’t know much about those mists of oral tradition. Then, in the 1930s, an American linguist named Milman Parry visited rural Yugoslavia, where oral epics were still performed by illiterate singers. Studying their cultures, he hoped to learn how oral poems were composed, how they were taught to the next generation and how much a poem’s text changed between singers and locales. Unfortunately, Parry died from an accidental gunshot wound soon after his return to the US. It took his student Albert Lord many years to continue the research and publish it in a 1960 book, The Singer of Tales.

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The Jim Cullum Jazz Band and an all-star cast, including vibist John Cocuzzi; trumpeters Clark Terry, Duke Heitger and Bob Barnard; and trombonists Bob Havens and Russ Phillips fill the airwaves with music from the "Age of Swing." Featured are pieces made famous by Benny Goodman, Harry James, The Casa Loma Orchestra, Bunny Berigan, Duke Ellington and Count Basie.