Critical essay on the alchemist - The Quay House
The alchemist paulo coelho critical essay
For mind you, on this Path of Devotion there is no help given to the individual as individual; it is only given to him by the Great Ones beyond him if in his turn he passes it on to others. His claim to be helped is that he is always helping, and that therefore a gift to him as individual is a gift that in very truth is given to every one that needs. And then as his eyes become clearer, and he recognises these many grades of Spiritual Intelligences, he will realise that there are some of them embodied around him; and by recognising those that are embodied around him but are greater than himself, he will be able to climb upward step by step until he will see the yet greater Ones beyond these; and then having reached Them, the greater, that are still beyond. For in this path of spiritual progress by way of devotion, every step opens up new horizons, and every clearing of the spiritual vision makes it pierce more deeply into that intensity of Light in which the highest Spiritual Intelligences are shrouded from the eyes of the flesh and of the intellect. And so the Soul who is in him, the Soul of the devotee, will gladly recognise all human excellence around him, will love and admire that excellence wherever he finds it ; he will, in fact, to use a word which many scoff at - he will be a hero-worshipper, not as seeing no fault in those whom he admires, but as seeing most the good in them and loving that, and letting the recognition of the good overbear the criticism of the fault: loving and serving them for what they are to man, and throwing the mantle of charity over the faults which they may commit in their service. And as he sees and recognises this in those around him, he will come into touch with higher Disciples than those, who move most commonly in the world of men - those who have reached a little farther, those who have seen a little deeper. Spirits that are gradually burning up all ignorance and all selfishness, and who are in direct touch with Those Whom we call the Great Masters, the members of the great White Lodge; and then he will love and serve them if opportunity should offer, love and serve them to the utmost of his ability, knowing that all such service purifies himself as well as helps the world, and makes him more and more a channel for the energies which he desires to spread amongst those with less vision than himself. And then, after a while, through these into touch with the Masters Themselves, with those highest and mightiest embodiments of Humanity, high above us in Their spiritual purity, in Their spiritual wisdom, in Their perfect selflessness, high as though They were Gods in comparison with the lower Humanity, because every sheath in Them is translucent, and the Light of the Spirit shines through unchecked; not differing from men in Their essence, but differing from men in Their evolution. For the sheaths in us shroud the Light within us, while the sheaths with Them are pure, and the unsullied light shines through unchecked; and They it is who will help and guide and teach, when man has risen to Their Feet by this Path of Devotion that I have spoken of; and the touch with Them is the going forward on the Path of Spiritual Knowledge, for without this devotion the further heights may not be won.
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ATLANTIS MYTH: A motif common in mythology in which an ancient, wise, or powerful civilization once existed in a past golden age but floods destroyed it. Plato popularized the myth in his works Timeaus and Critias, where he describes the arrogant island of Atlantis as an adversary of Greek civilization 9,000 years before his own day, but the gods disfavor the island's , and they submerge it into the Atlantic Ocean. Although Plato's references are brief, they have inspired some archeologists to link it with the Island of Thera (which was destroyed by volcanic erruption that triggered tidal waves devastating Minoan civilization in 1900 BCE). Likewise, they have inspired fiction writers to produce a number of later fantastic works. The allegorical aspects of the island influence Francis Bacon's New Atlantis, Thomas More's Utopia, and Stephen Lawhead's Taliesin. Among the Inklings, it plays a part in C.S. Lewis's The Magician's Nephew, where dust from Atlantis serves as a component of magical rings, as well as in Lewis's space trilogy. C.S. Lewis also uses it as a comparison to being overwhelmed by grief in his autobiography, Surprised by Joy. Charles Williams plays with the motif in Taliessin Through Logres. Other like J.R.R. Tolkien use the myth indirectly, as Tolkien uses it as an analogue in The Silmarillion, in which Númenor was a huge island in the Sundering Sea, west of Middle-Earth. These Númenorians grew obsessed with the search for immortality, and eventually their culture died when their island sank. In medieval legends, other analogues to the Atlantis myth include the legends of Logres and Lyonesse (which medieval tales located in the Atlantic Ocean southwest of Cornwall and Landsend), and older appear in Mesopotamian and Hebrew myth such as in the Old Testament accounts of the flood. A common erroneous claim is that flood myths are universal world-wide, though it actual point of fact, legends in which the world or a civilization die in floods primarily appear in cultures in geographic areas subject to regional flooding. Areas without such flooding do not tend to have Atlantis myths or flood myths.